DEE DEE BRIDGEWATER

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DEE DEE BRIDGEWATER

From: USA
On stage: Sat 15 Apr 20:30

ver the course of a multifaceted career spanning four decades, Grammy and Tony Award-winning Jazz giant Dee Dee Bridgewater has ascended to the upper echelon of vocalists, putting her unique spin on standards, as well as taking intrepid leaps of faith in re-envisioning jazz classics. Ever the fearless voyager, explorer, pioneer and keeper of tradition, the three-time Grammy-winner most recently won the Grammy for Best Jazz Vocal Album for Eleanora Fagan (1915-1959): To Billie With Love From Dee Dee.

Bridgewater's career has always bridged musical genres. She earned her first professional experience as a member of the legendary Thad Jones/Mel Lewis Big Band, and throughout the 70's she performed with such jazz notables as Max Roach, Sonny Rollins, Dexter Gordon and Dizzy Gillespie. After a foray into the pop world during the 1980s, she relocated to Paris and began to turn her attention back to Jazz. Bridgewater began self-producing with her 1993 album Keeping Tradition (Polydor/Verve) and created DDB Records in 2006 when she signed with the Universal Music Group as a producer (Bridgewater produces all of her own CDs).

Releasing a series of critically-acclaimed CD's, all but one, including her wildly successful double Grammy Award-winning tribute to Ella Fitzgerald, Dear Ella - have received Grammy nominations.

Bridgewater also pursued a parallel career in musical theater, winning a Tony Award for her role as “Glinda” in The Wiz in 1975. Having recently completed a run as the lead role of Billie Holiday in the off-Broadway production of Lady Day, her other theatrical credits include Sophisticated Ladies, Black Ballad, Carmen, Cabaret and the Off-Broadway and West End Productions of Lady Day, for which Bridgewater received the British Laurence Olivier Nomination for Best Actress in a Musical. She also served as the namesake host of the long-running syndicated NPR radio program Jazz Set with Dee Dee Bridgewater, produced by Becca Puliiam for WBGO.

Her understanding of the "great American songbook" makes pretenders pale in comparison

The Guardian

Whether strutting through the aisle and teasing the members of the audience, or soliciting a blown kiss from her bassist, Ms. Bridgewater is taking as much as she's giving

The New York Times

she has set the standard for how a jazz singer can be self-sufficient and unbeholden to genre constraints.

Grammy Awards